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Articles
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> The Lyon Biennial

> Ars Electronica, Human Nature

> The Venice Biennial

> Nemo & Co

> From Karlsruhe to Berlin

> Media Art in London

> Youniverse, the Seville Biennial

> Ars Electronica, a new cultural economy

> Social Networks and Sonic Practices

> Skin, Media and Interfaces

> Sparks, Pixels and Festivals

> Digital Art in Belgium

> Image Territories, The Fresnoy

> Ars Electronica, goodbye privacy

> Digital Art in Montreal


Links
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> Ars Electronica Festival [ Linz ]

> Ars Longa [ Paris ]

> Art outsiders Festival [ Paris ]

> AV Festival [ Newcastle ]

> C3 [ Budapest ]

> Cimatics Festival [ Brussels ]

> Citu [ Paris ]

> City Sonics Festival [ Mons ]

> Digicult [ Milan ]

> Deaf Festival [ Rotterdam ]

> Fact [ Liverpool ]

> Film Festival [ Rotterdam ]

> Futuresonic Festival [ Manchester ]

> ICA [ London ]

> Imal [ Brussels ]

> Laboral [ Gijon ]

> Le Cube [ Issy-les-Moulineaux ]

> Le Fresnoy [ Tourcoing ]

> Locus Sonus [ Aix-en-Povence ]

> Mediaruimte [ Brussels ]

> Musiques & Cultures Digitales [ Paris ]

> Nemo Festival [ Paris ]

> PixelAche Festival [ Helsinki ]

> Seconde Nature Festival [ Aix-en-Provence ]

> Sonar Festival [ Barcelona ]

> Space [ London ]

> Strp [ Eindhoven ]

> Tesla [ Berlin ]

> The Arts Catalyst [ London ]

> TodaysArt [ The Hague ]

> Transmediale Festival [ Berlin ]

> Upgrade! International

> V2 Institute [ Rotterdam ]

> We Make Money, not Art

> Zkm [ Karlsruhe ]


About the Author
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> Dominique Moulon holds a Master's degree in aesthetic of arts, sciences and technologies from the University of Paris 8. He teaches multimedia creation, writes about new media and regularly gives conferences about digital art in Europe. In 2007, he was a guest lecturer at the School of the Art Institute of Chicago.
THE LYON BIENNIAL
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Toy Emissions
Thierry Raspail, the artistic director of the Lyon Biennial, has entrusted this 10th edition to the curator Hou Hanru. The event regroups four sites, the Sucrière, the Mac, the Bullukian Foundation and the Bichat Warehouse where the works are organised according to chapters: “The Magic of Things”, “Celebrating the Drift”, “Living Together”, “Another World is Possible” and “Veduta”. The general theme of the year is “The Spectacle of the Everyday”.

[ HeHe, “Toy Emissions”, 2007 ]
ARS ELECTRONICA, HUMAN NATURE
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Natural History of the Enigma
The oldest festival dedicated to art, technology and society is celebrating its thirtieth anniversary with the opening of a new Ars Electronica Center. The theme of the symposium for this 2009 edition, organised once again by Gerfried Stocker and Christine Schöpf, hinges on the notion of “Human Nature”.

[ Eduardo Kac, “Natural History of the Enigma”, 2003-2008 ]
THE VENICE BIENNALE
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Guest
The 53rd Venice Biennale opened at the beginning of June bringing together artists, curators and critics from around the world before opening to the general public through until November 22nd. On the programme: the “historical” pavilions in the Giardini, collateral events in various places around the city and Daniel Birnbaum’s “Making Worlds” exhibition at the Arsenal.

[ Krzysztof Wodiczko, “Guests”, 2009 ]
NEMO & CO
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Prosthetic Head
The eleventh Nemo Festival has returned to its origins at the Forum des Images for its 2009 edition. It has also been extended geographically by establishing partnerships with places like the Parisian church, Saint-Eustache, the Cube in Issy-les-Moulineaux and the Centre des Arts in Enghien-les-Bains as well as events like Exit in Créteil and the SIANA in Evry and festivals such as the STRP in Eindhoven and Elektra in Montreal.

[ Stelarc,
“Prosthetic Head”,
2003 ]
FROM KARLSRUHE TO BERLIN
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1st Light
The ZKM (Zentrum für Kunst und Medientechnologie) of Karlsruhe is incontestably the most important international Centre for Art and Media while the Berlin art and digital culture festival Transmediale draws artists, performers, curators and critics from around the world each year.

[ Paul Chan,
“1st Light”, 2005, ]
© Jean Vong
MEDIA ART IN LONDON
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Frequency and Volume
London is one of the places one can visit at any time and be sure to come back with a head full of images and sounds. So lets cross the Channel and discover the emerging artistic practices that combine media and technology.

[ Rafael Lozano-Hemmer,
“Frequency and Volume”,
2003 ] © Antimodular