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Articles
> Endless Variations

> Multitude & Singularity

> Another perspective

> The Fusion of Possibilities

> Persistence & Exploration

> Image 3.0

> BioMedia

> 59th Venice Biennale

> Decision Making

> Intelligence in art

> Ars Electronica 2021

> Art & NFT

> Metamorphosis

> An atypical year

> Real Feelings

> Signal - Espace(s) Réciproque(s)

> On Combinations at Work

> Human Learning

> Attitudes and forms by women

> Ars Electronica 2019

> 58th Venice Biennale

> Art, Technology and Trends

> Art in Brussels

> Plurality Of Digital Practices

> The Chroniques biennial

> Ars Electronica 2018

> Montreal BIAN 2018

> Art In The Age Of The Internet

> Art Brussels 2018

> At ZKM in Karlsruhe

> Lyon Biennale 2017

> Ars Electronica 2017

> Digital Media at Fresnoy

> Art Basel 2017

> 57th Venice Biennial

> Art Brussels 2017

> Ars Electronica, bits and atoms

> The BIAN Montreal: Automata

> Japan, art and innovation

> Electronic Superhighway

> Lyon Biennale 2015

> Ars Electronica 2015

> Art Basel 2015

> The WRO Biennale

> The 56th Venice Biennale

> TodaysArt, The Hague, 2014

> Ars Electronica 2014

> Basel - Digital in Art

> The BIAN Montreal: Physical/ity

> Berlin, festivals and galleries

> Unpainted Munich

> Lyon biennial and then

> Ars Electronica, Total Recall

> The 55th Venice Biennale

> The Elektra Festival of Montreal

> Digital practices of contemporary art

> Berlin, arts technologies and events

> Sound Art @ ZKM, MAC & 104

> Ars Electronica 2012

> Panorama, the fourteenth

> International Digital Arts Biennial

> ZKM, Transmediale, Ikeda and Bartholl

> The Gaîté Lyrique - a year already

> TodaysArt, Almost Cinema and STRP

> The Ars Electronica Festival in Linz

> 54th Venice Biennial

> Elektra, Montreal, 2011

> Pixelache, Helsinki, 2011

> Transmediale, Berlin, 2011

> The STRP festival of Eindhoven

> Ars Electronica repairs the world

> Festivals in the Île-de-France

> Trends in Art Today

> Emerging artistic practices

> The Angel of History

> The Lyon Biennial

> Ars Electronica, Human Nature

> The Venice Biennial

> Nemo & Co

> From Karlsruhe to Berlin

> Media Art in London

> Youniverse, the Seville Biennial

> Ars Electronica, a new cultural economy

> Social Networks and Sonic Practices

> Skin, Media and Interfaces

> Sparks, Pixels and Festivals

> Digital Art in Belgium

> Image Territories, The Fresnoy

> Ars Electronica, goodbye privacy

> Digital Art in Montreal


> >
The Prophets
360° Illusion IV,
Image objects
Double Negative
Mondes Persistants & Pratiques Exploratoires
La Cybernétique, le vivant et la ville
CUSP
All We'd Ever Need Is One Another
All We'd Ever Need Is One Another
Myriad (Tulips)
Jonas Lund Tokens
Metamorphosis Vol.2
Tangible Data
Terminal Beach
Zoryas, electronic activity of the sun
Mixed_Grill(e)
Soul Shift
Frame of Reference
Last Breath
Last Breath
Western Flag (Spindletop, Texas)
All I have is my phone
Lightning Ride
Automatic War
BitSoil Popup Tax & Hack Campaign
πTon
Juliana
Self portrait as a fountain
Track/Trace
Sonic Fountain II
Run Baby Run
Run Baby Run
Mirage
What Shall We Do Next? (Sequence #2)
Pixel-Collage
Chozumaki
Man at Work
Rate-Shadow
Best Effort Network
Petite anthologie de la triche
Oil
Lady Gaga: The Death of Marat
Modulateur-Démodulateur
Révolutions
Lincoln 3D Scans
Walking City
Parallele
Signal to noise
Cambodia Tales
Asymmetric Love
The Re'Search
La liberté et deux
ORLAN corps écorchés
La liberté et deux
ORLAN corps écorchés
frequencies (a)
Blue Monochrome.com
Youtube as a sculpture
Dream House
Desire of Codes
db
db
db
Apostasis
Piano MigrationsPiano Migrations
May the Horse Live in Me
Chance
EXP
Artificial Smile
Face Visualizer
Boreas
Chapter I : The Discovery
The Martian Rose